New paper about how sibling competition and mortality risks affect birth intervals

My very first contribution to the collected sum of human knowledge has just been published in the Journal of Evolutionary Biology. The paper is called: “A Dynamic Framework for the Study of Optimal Birth Intervals Reveals the Importance of Sibling Competition and Mortality Risks” and you can read it online or download a PDF. I’ll talk about the main results in this post.

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A Photograph

Under the sudden weight his neck cracked a little like the shutter-release button.
Not the weight of stories or self-aggrandised memory or shit like this:
the straight-down weight of a 1971 Russian-made SLR
(no matter he thought it was the same age as his father).
She focussed slowly then became a blur, a sunset on a plain.

For the occasion he wore his best 58-mil lens: factory-standard,
actually, but there’s no need for her to know. He held it to her.
The smell of the ageing leather case threw her to a world of a father,
breath of American lager, cigars, a green recliner and a fire.
She tossed it back, tossed off her pants, let her arch punctuate a question mark.

By chance the bottom of the case still held his father’s ‘Property Of’ label,
in gold, in larger font, above his, punctuated by a full stop.
The weight on the wrist at this angle hurt. He aimed again, her sunset fell
behind the night curtain shutter only to rise one hundred and twenty five
milliseconds later. He thumbed the winder, finding nothing to spool,

no film for the sprockets to chew, and his eyes – wide, stark – shuttered on bulb
for an unfocussed time, gulping images onto the reel of his
mind: thoughts of all those times lost, all those eternities dismissed
with each flick of that switch; not even memories now: events, without
a chance to become fading antiques coated in their tears, dust and grease.

He opened his eyes. She’s still naked, still there, more an imperative now
than an indirect, seductive question.
The mirror behind her
and the mirror behind him juggled the couple for an era
he just couldn’t muster and, wishing for film, he pressed on the plunger:
an inrush of light puffed off the back of the camera. Nothing was preserved.

(Published in issue three of Haque magazine.)

My reviews from the UK Conference of Science Journalists 2014

Here are three things from last year’s UK Conference of Science Journalists (UKCSJ).

I was one of three people selected to pitch to real-life science editors in a Dragons’ Den-style session. My idea was to write an article about the increasing prevalence of shortsightedness (myopia) around the world. Scary stat: nearly one in three people might not have 20/20 vision by the year 2020. I didn’t get commissioned but you can watch the video here anyway.

After that intimidating experience, I reviewed two sessions. The first was about the use and misuse of statistics in science journalism:

“The Statistics in Science Journalism session at UKCSJ 2014 was a head-on collision between passionate journalists and the confusing monstrosity that is statistics. Deborah Cohen, the BMJ’s investigations editor, produced this session to help us understand how not to get things wrong.

Ivan Oransky, vice president of MedPage Today and co-founder of the excellent Embargo Watch and Retraction Watch blogs, led proceedings by taking us on a slide-by-slide journey through a realm of shoddy studies and equally shoddy reporting.”

Oransky’s presentation should be on his SlideShare page, but I couldn’t find them just now. He has plenty of other deeply interesting things on there, though.

The other session was about the issue of reproducibility in science:

“Science is in crisis, they say. Negative results don’t get published, while gibberish occasionally does; shaky studies are under-powered and over-reported; peer reviewers miss obvious mistakes and accept results that agree with their biases, regardless of merit; field-defining results cannot be replicated.

The current culture of ‘publish or perish’ doesn’t help matters. A scientist’s worth is judged based on how many papers they publish, how many times those papers are cited, and how much money they pull in.

Scientists, science journalists and others are beginning, however, to rage against the machine.”

Professor Chris Chambers, one of the speakers, put his excellent presentation about pre-registering studies, replicating them and making data open online here.


Me pitching to the UKCSJ (source: Twitter)

Gene from extinct species allows Tibetans to live at high altitude

The roof of the world, north of the Himalayas, stretches over two and a half million square kilometres. It is inhospitable, arid and permafrosted. When it rains, it mainly hails. It’s the highest place on the planet where you can stand on flat ground and be near the heavens, and standing there will thicken your blood. Unless you carry the EPAS1 gene.

This gene stops you over-producing haemoglobin – the oxygen-carrier in red blood cells. Too much haemoglobin raises blood pressure and, with it, the risk of stroke, among other bloody things.

This gene came from an ancient, extinct subspecies of human called the Denisovans. We know this because scientists sequenced Denisovan DNA four years ago. This DNA came from a fragment of a pinky and two teeth found in a cave.

The ancestors of today’s Tibetans had sex with Denisovans. Genes were passed around. The useful ones remained. This allows Tibetan people to survive on the roof of the world.

I wrote about the science for this week’s BioNews. Have a read.

Replica of Denisovan pinky bone (Source: National Geographic)

Review of PET’s ‘Breast Cancer, Business and Patents’: Ensuring your genes don’t affect your insurance

I tried to make insurance interesting on behalf of the Progress Educational Trust (PET) and the Wellcome Trust. Have a read.

The piece comes from PET’s recent event ‘Risk Management: Breast Cancer, Business and Patents’ — the third of their four-part project ‘Breast Cancer: Chances, Choices and Genetics’.

Simon Hazelwood-Smith reviewed the night for BioNews.

James Heather covered the second event — Risk Assessment: Breast Cancer, Prediction and Screening.

I covered the first one for BioNews and James wrote it up for the Wellcome Trust blog.

The final event — Breast Cancer Risk: Facts, Fictions and the Future — is taking place on Thursday 3rd July. See PET’s website for more details.

We Burn Daylight

My friend Kathleen Bryson and I co-wrote and co-directed (and co-starred in) a filmpoem with the editing wizardry of Kimmo Moykky and the cinematographic skills of Ollie Drackford.

Poem words below the video. The text of the poem is released under a Creative Commons Attribution-Noncommercial-ShareAlike License so feel free to do with it what you will (as far the license allows…).

The password is Neanderthal.

We Burn Daylight from Kathleen Bryson on Vimeo.

We Burn Daylight

I heard the foxes mate last night, full sting,
all coil and pleasure crawl, all bitter pierce and tuft.

I made you into a hedgehog instead,
tied twigs in your hair, and you let me laugh;
no shaman blossomed by berry blood,
serious with stag horns and pinebranch shadows.
You are at the very least a tolerant man.

I’ll sing like foxes sing, I think,
orange wounds and sultry bites;
you’re tied to twigs that might not scratch you, or they might
not cut you, or they might.

The foxes with their tails scooped from fires
The foxes with their red hair and their cauls
The foxes with their teeth now hidden axes
You tried not to think of them at all.

I do not care if they call me home.
I must have time to pick away your twigs
and count your freckles, scratch your hands by chance.
I want you to hear the foxes sing.

. . .

What will it come to mean, the mournful sting
of pollen on the breeze, the twilight
shivers through his hair?

No man could have been a man,
who chose this creature, vulpine
on her haunches, her thick brow
sheltering her flowstone eyes,
belly ripened, juicy with life.

She tends his body in this shallow pit.
Stubby fingers paw at yarrow and lay grape
hyacinth on his collapsed temple.

Here is the first grave, bedded with groundsel,
flecked with the shadows of Shanidar Cave.

Nobody knows what it meant – a burnt ochre
bouquet, tousled breaths, this first act
of devotion – an explosion
into humanity, into lives
full of unfossilised moments.

There is no word yet for the kick of her
almost-human child, no word for why
she soothes his hair from the taunts of the wind.

She opens her mouth, as if to sing.